The last time I stayed at our friend's Clare's cabin in northern Victoria I called my post Cherish The Cabin which was a reference to the Seinfeld episode The Cheever Letters in which Kramer burns down Susan's parents' cabin. We stayed there this weekened and coincidentally I found a copy of the collected stories of John Cheever, and so with kangaroos jumping into the sheep field in front of the house I settled down on the porch to read 'The Swimmer'. How I haven't managed to read John Cheever's 'The Swimmer' in 40 years on planet Earth is an easily solved mystery: I didn't go to an American high school. From the amount of web criticism, book notes, analysis and even ready made high school and college essays (for sale) I might be the only US passport holder not to have read 'The Swimmer'. It's the story of Neddy Merrill who one day decides to swim his way home across suburban Westchester County's swimming pools. Initially Neddy's optimistic adventure is the standard's hero's journey but as the narrative progresses it becomes darker and more surreal until we finally see that Neddy's life is a sham, and his arrival home isn't to a cheering family but rather to a barred and empty house. It's a classic New Yorker story of the 60's and has everything the New Yorker liked back then: spoiled rich people in the suburbs getting drunk and gradually realising the pointlessness of their lives. It's an allegory of course and we are supposed to lose sympathy with Neddy as we find out that he has failed in business and left an angry mistress in his wake. As if in the grip of special relativity, external time for Neddy seems to advance rather quickly but I also like the interpretation that he is supposed to be dead or dying and these swimming pools are his own personal river Styx. Is this where we go when we die? To a place where our brief lives are revealed to be hollow and meaningless - a pointless series of events that have no ultimate end? 'The Swimmer' is a very good story, but as Roger Ebert explained 40 years ago in his analysis of the movie version of The Swimmer "[i]t's the sort of allegory the New Yorker favors. Like assorted characters by John Updike and J.D. Salinger, Cheever's swimmer is a tragic hero disguised as an upper-class suburbanite. There are a lot of tragic heroes hidden in suburbia, I guess, perhaps because so many of them subscribe to the New Yorker." It actually reminded me of the TV show Mad Men where button-down ad-man Don Draper also lives in a wealthy, drink sozzled, Westchester suburb of the early 1960's surrounded by wives and colleagues in the throws of quiet desperation. Draper too is a fraud whose affairs, expensive Scotch and workaholism do nothing to keep the existential demons at bay....
Wikipedia has a solid take on 'The Swimmer' here and there's a nice look at the Burt Lancaster film version here. You can buy your ready made essay cheat from these guys here. By the way for anyone still seeking the answer to that question where do we go when we die? here's the answer: into the bellies of worms, boys, into the bellies of worms.
20 comments:
I've only read a few Cheever stories, and I don't think 'The Swimmer' was one of them. It wasn't taught in high school back in my day, either. But it is one that it's easy to know of by repute and by the essential image.
It's interesting that a new Cheever biography has just come out by Blake Bailey. I think what's fascinating to me is that it's the front cover for any literary journal that takes itself seriously right now. And yet, at least out here on the west coast, I would say Cheever's fictional work is somewhat in eclipse right now. I don't mean he's in disrepute, at least as a writer, it's just that people aren't really buying him or asking for him much in the present historical moment. Although the biography has boosted the fiction sales a bit.
It does seem that the main interest in Cheever for the time being is in just what a mess and sower of sorrow and chaos he was. He is apparently very fertile ground for a biographer. But I wonder if this is really what Cheever set out to do to himself, writing all those stories week after week. Probably intended something different than this kind of fame.
Seana
Cheever I imagine is hard to get excited about. I remember reading the Falconer and really struggling to get through it.
The Swimmer though is a very well made story. Its almost a perfect story and maybe that's why it ever so slightly rubs me the wrong way. Life isnt that perfect. Even fantasy life. Its perfect in the way that a Blondie song is perfect. But its Blondie we're talking about not Leonard Cohen.
To me he reads now a bit more like anthropology than art.
Adrian,
This is bizarre. Yet another author who, I've only discovered by reading this post, is considered part of the "canon," that ever-changing and growing and seemingly infinite nebulus of authors one must read.
Apparently, there was this thing called the 20th century that my English professors forgot about.
To everybody else that stops by -
April is almost upon us, and let's do our fair share to make it McKinty's Month, with the upcoming release of Fifty Grand.
Brian, I shall do my best on that front, although really I think it will be more the end of April and into May when people can actually buy the book.
Adrian,
I suspect that Mad Men has been highly influenced by Cheever, whether directly or indirectly. And I do think that that show as well as the interest in Revolutionary Road in both book and movie form shows that people have enough distance from the era and subject he writes about to have a nostalgia for it. Whether he is lasting or not, I don't know.
I read in one of the reviews that he thought little of the stories themselves, and really wanted the novel to be what he was known for. I don't think Falconer was the one the critics seemed to like. I also read that he was dubious about the material he had to work with. Probably not grand enough.
Yet as I'm writing this, I think, how great that he found his material, and worked with it to the best of his abilities, despite all his turmoil. The assessment of it isn't his problem, and our current assessment isn't very likely the final verdict on him, if there even is such a thing. I do think we probably see the sameness of all those famous New Yorker writers rather than their differences, but that may not always be so.
What a strange comparison- Blondie songs are so uplifting and energetic, while Cheever seems so depressing and angsty.
Your comment about The Swimmer being unescapable reading in US schools reminds me I've read the very same thing about The Lottery, so, in an effort to hijack the thread and shortchange an author for the second consecutive post, I'll say I love Shirley Jackson -The Haunting of Hill House and We Have Always Lived In The Castle especially.
Big news: http://www.uefa.com/competitions/worldcup/news/kind=1/newsid=814698.html
The only real question here is which highjacker is going to prevail.
I do like Shirley Jackson, by the way. Another good novel is We Have Always Lived in the Castle
Adrian:
In resonance to your interest in The Swimmer, I recommend the 1967 novel and 1969 film "The Arrangement," by the ever-controversial Elia Kazan. I would say that the book and film are both of equivalent excellence.
If you are not familiar with these works, I suggest them as expansive to the same themes and modes as the Cheever book and subsequent film with Burt Lancaster. In rhyme, it's nice to see Kurt Douglas in the lead role in the very fine film.
What's more, this is a wonderful example of creative control by Kazan, who wrote his first novel in his fifties, got great reviews and enjoyed strong sales, and followed up with the film version in record time, while the book was reasonably hot.
PKL
Brian
You should check out the swimmer, its pretty short, though I'd avoid the novels.
Seana
There seems to a little bit of Truman Capote about Cheever too. Both didn't really fulfill their early potential. I'd throw JD Salinger in there too except that his daughter says he's written at least a dozen novels since Catcher which are all in some bank safe in Vermont.
Marco
Yeah the Lottery is exactly like that. A classic but actually a good classic. It reminds me of that Twain story The Man Who Corrupted Hadleyburg - a classic, almost a cliche but still good.
What I've never been able to get into though is O Henry. Ever read him? The Gift of the Magi makes me retch to even think about.
Peter
I couldnt figure out your news. The link didnt work for me. The big football news for me this weekend was NI's triumph over Poland in a very scrappy match. The New York Times had a piece this morning about the decline of the home nations written by some guy from the Toronto Globe and Mail. He's wrong of course. N Ireland will qualify for the 2010 World Cup.
Patrick
I'll have to check it out.
Lot of pressure on Catherine Zeta Jones's kids. Mother, father and grandfather all Oscar winners, though Kirk's was an honorary one. Be great if they decided to become farmers or something.
Adrian, that was the news. The link should have taken you to an article from UEFA's newsletter about Northern Ireland's victory and a stirring tale of triumph over heartbreak and alleged decline.
But this pales beside the tough road that Catherine Zeta Jones' children will face.
Peter
There was a good line in the NYT times story citing the nervousness of the Polish goalkeeper. You'd be nervous too if 15000 people were chanting "we're gonna killlll you after the game, killlll you after the game" although I suppose its better than during the game.
How can 'The Gift of the Magi' make you retch? Fifty Grand is a straight lift, just with Cuban accents. I thought the fact that Mercado's gift was a comb was going a bit too far with the whole homage thing, though.
We actually had a set of O'Henry in our house, probably my grandfather's. So I know I read a bunch of them when I was a kid, though the only other one that springs to mind is 'The Ransom of Red Chief'. I think I liked them, though, or why would I have read them? I expect the gimmicky twist at the end has dated by now.
Seana
I defy you to rec Magi to your book group. I bet you wouldnt. Its toe curling. Reminds me of that Oscar Wilde remark about Dickens "only a man with a heart of stone could have failed to laugh at the death of little Nell."
That kind of stuff ruined Saving Private Ryan for me too.
Has someone mentioned the "Saturday Night Live" skit based on "The Gift of the Magi"? When Belushi finds out that, I think, Gilda Radner sold her ... well, maybe I should avoid spoilers for those who don't know the story, but when each finds out what the other has sold to buy gifts, they look at each other, say, "What the hell did you do that for?" and they get into a big fight.
==============
Detectives Beyond Borders
"Because Murder Is More Fun Away From Home"
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Peter
I hadnt heard of that. Of course when I looked it up NBC had taken all the videos from YouTube. However you can read the script online. I'm posting it below which although very different from the O Henry story is pretty funny even in transcript. Of course caveat spoiltor:
The Gift of the Magi
... Jane Curtin
... Miskel Spillman
Helen ... Gilda Radner
Robert ... John Belushi
Doctor ... Dan Aykroyd
Nurse ... Laraine Newman
Jane Curtin: [sits in front of a well-trimmed Christmas tree, addressing the camera] Every holiday season, it's always comforting to read classic Christmas stories that are loved the world over. Stories where people give of themselves to someone they love. [Pull back to reveal eighty-year old host Miskel Spillman sitting beside Jane] One of our favorites here at Saturday Night -- and we're sure it's one of yours -- is "The Gift of the Magi" and we'd like to share it with you again.
Miskel Spillman: [to Jane] Oh, "The Gift of the Magi" is one of my favorites.
Jane Curtin: [touches Miskel's arm] Oh, good! Good. [reads from a book] Once upon a time, not so long ago, there was a man and a woman who loved each other very much. His name was Robert and her name was Helen and this was their first Christmas together as man and wife. The young couple had little money but were very rich in spirit because they had each other. [Dissolve to Helen's hospital room] And though young Helen was in the hospital with a failing kidney, it still didn't dampen the couple's Christmas spirit.
[Long-haired Helen lies in her hospital bed as Robert holds her hand.]
Helen: Oh, Robert! They're looking for a donor now. [Robert kisses Helen's hand lovingly]
Jane's Voice: [narrating] Helen was a beautiful girl whose long, raven hair was the envy of all who knew her and a source of pride to Robert.
Robert: [takes old-fashioned watch from his pocket and opens it] Oh. It's time to brush your hair. [Helen holds the watch while, using a white hair brush, Robert grooms Helen's flowing locks.]
Jane's Voice: [narrating] And Robert's most prized possession was an antique gold watch, a priceless heirloom which had been in his family for generations.
Helen: Oh! I always think of this watch as part of you, Robert. So steady and reliable.
Robert: Yes, but the watch is working -- and I haven't got a job.
Helen: Oh, Robert. Don't worry. It's Christmastime. It's a season of hope. Things will get better.
[Dissolve back to Jane and Miskel.]
Jane Curtin: And it was hope that they lived on as, this Christmas, they were too poor to exchange gifts. And even if they could, Helen's sickness hung over them like a dark cloud.
Miskel Spillman: [to Jane] What a shame.
Jane Curtin: [nods, deeply moved] I know.
[Dissolve back to hospital room where Robert and a doctor stand over a sleeping Helen and confer.]
Doctor: The test came back. You're a perfect donor. [Robert sighs with relief] We can perform the transplant immediately. Your wife will be very happy.
Robert: Please don't tell her I'm the donor, doctor. I want it to be a surprise.
Doctor: Okay, if that's the way you want it. Uh, by the way, I really hate to bring this up now but, uh, this is a very expensive operation.
Robert: That's all right, doctor. [holds up his priceless watch] I know where I can get my hands on some money. [Robert sadly closes the watch as he and the doctor walk off.]
Jane's Voice: [narrating] And, while Robert was solving one problem, Helen was dealing with a similar one.
Helen: [wakens, brushes her hair as a nurse enters] Oh, nurse! I don't know what to do. For Robert and me, this may be our first and our last Christmas together. [If] I just knew where I could get the money to buy Robert a gift.
Nurse: Well, do you have anything you can sell?
Helen: No. [pauses and stares at her hand which holds the white hair brush filled with her hair] Oh! Wait! No, I-- Maybe ... Yes! I - I'll do it!
[Dissolve back to Jane and Miskel.]
Jane Curtin: So Helen and Robert, because of their boundless love for each other, gave of themselves and were able to exchange Christmas gifts that morning.
Miskel Spillman: [to Jane] I feel like crying.
Jane Curtin: [to Miskel] So do I.
[Dissolve back to hospital room where Robert, now wearing a bathrobe, clutches his side as the nurse helps him to Helen's bed.]
Nurse: Your wife should be awakening any time now.
[Robert sits on the edge of the bed and looks at Helen who now wears a white hospital cap on her head.]
Nurse: There. I'll leave you two alone. Merry Christmas. [exits]
Robert: [wakes Helen] Merry Christmas, Helen. It's all over, honey. You got your new kidney.
Helen: Oh, how wonderful! Oh, I - I just wish I knew who the donor was so I could thank him. Robert? Why are you wearing your robe?
Robert: Don't worry, baby. It's all right. We'll both be fine.
Helen: Oh, no! Oh, you mean--? Oh, no! Oh, Robert! You were the donor! Oh, Robert!
Robert: Well, I figured I had two, so ... why not? What - what'd you get me?
Helen: [hands him a small box she has hidden beneath the bedcovers] Merry Christmas, Robert. I love you.
Robert: Oh! [opens box, looks inside] Ohhhh! [pulls out a gold chain]
Helen: It's a chain for your watch! Oh, quick ... Get out your watch, darling, and let me see what it looks like on it.
Robert: I can't, sweetie. I - I sold the watch to pay for the surgery. But that's not important. How did you get the money to buy this chain?
Helen: [nervously puts a hand to the cap on her head] Well, I - I sold my ...
Robert: [stares in horror] No! You didn't! You--?
Helen: Yes, I - I sold my hair brush. [pulls cap off her head, revealing her long, uncut hair] Yes. See, the bounce is gone but it was worth it.
Robert: [suddenly upset] You what? Is that all you think I'm worth, you cheap slut?! Boy, was I mistaken about you! I sell my watch that's been in my family for a hundred years, I give ya my kidney, and you sell a stupid hair brush to buy me some junk jewelry, huh?! [throws the chain at her pillow where it bounces off onto the floor]
Helen: Yeah, but wait a minute! The - the brush meant a lot to me! It had Nylon bristles!
Robert: [mocks her mercilessly] Nyeah, nyeah, nyeah, nyeah, nyeah, nyeah! [yells] Nylon bristles, you face! You selfish pig! [slaps her across the face] I could've been watching the ball game or reading at home! But nooooooooooooooo! I had to give ya my kidney AND my watch!
Helen: Yeah, but, Robert, I've been sick! I didn't have time to shop!
Robert: Oh! Ya didn't have time to shop! I had the time, huh? They're yankin' my kidney out of me! I got a scar as big as Europe! Well, it's the last time it's going to happen! [starts strangling her] Merry Christmas! Arrrggghhh!
[Dissolve back to Jane and Miskel.]
Jane Curtin: Robert - Robert was right. He was right when he said, it's the gift, not the thought that counts. They don't call it "The Thought of the Magi." It's "The Gift..."
Miskel Spillman: [to Jane] You're damn right.
Jane Curtin: [to the camera] Merry Christmas!
[ dissolve to audience wide shot]
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