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I'm an Irish novelist currently living in St Kilda, Australia
"Hardboiled charm, evocative dialogue, an acute sense of place and a sardonic sense of humour make McKinty one to watch."
---The Guardian
A couple more books, a few birthdays, some shuffleboard then a period spent in the digestive tract of earthworms, followed by molecular breakdown, the sun boiling into space, the heat death of the universe, atomic decay, perpetual darkness, a trillion years of nothingness and then, if we're lucky, brane collapse, a new singularity and a new Big Bang.
About Me
I'm an Irish novelist currently living in St Kilda, Australia
You can read a review of my latest book, The Cold Cold Ground, in The Guardian, here. You can peruse the review from the Irish Independent, here or the review in The Times, here. The Glasgow Herald's verdict is here and The Sydney Morning Herald chips in, here. Not to be outdone The Irish Times weighs in, here and the Irish Sunday Independent adds its two cents, here. If you want to know what all the fuss is about you can be a good chap and get The Cold Cold Ground on Amazon.com, Amazon.co.uk, Audible.com or at your local bookshop.
Followers
More about me
I was born and grew up in Carrickfergus, Northern Ireland. After studying philosophy at Oxford University I emigrated to New York City where I lived in Harlem for seven years working in bars, bookstores, building sites and finally the basement stacks of the Columbia University Medical School Library in Washington Heights.
In 2000 I moved to Denver, Colorado where I taught high school English and started writing fiction in earnest. My first full length novel Dead I Well May Be was shortlisted for the 2004 Ian Fleming Steel Dagger Award and was picked by Booklist as one of the 10 best crime novels of the year. The sequel to that book The Dead Yard was selected by Publishers Weekly as one of the 12 best novels of 2006 and won the Audie Award for best mystery or thriller.
In mid 2008 I moved to St. Kilda, Melbourne, Australia with my wife and kids. My last book Falling Glass was Audible's Best Mystery or Thriller for 2011. I've just published a new novel for Serpents Tail called The Cold Cold Ground.
In 2000 I moved to Denver, Colorado where I taught high school English and started writing fiction in earnest. My first full length novel Dead I Well May Be was shortlisted for the 2004 Ian Fleming Steel Dagger Award and was picked by Booklist as one of the 10 best crime novels of the year. The sequel to that book The Dead Yard was selected by Publishers Weekly as one of the 12 best novels of 2006 and won the Audie Award for best mystery or thriller.
In mid 2008 I moved to St. Kilda, Melbourne, Australia with my wife and kids. My last book Falling Glass was Audible's Best Mystery or Thriller for 2011. I've just published a new novel for Serpents Tail called The Cold Cold Ground.
WORK IN PROGRESS:
All Hail McKinty!
"If Raymond Chandler had grown up in Northern Ireland he would have written The Cold Cold Ground."
---The Times
"Hardboiled charm, evocative dialogue, an acute sense of place and a sardonic sense of humour make McKinty one to watch."
---The Guardian
"A literary thriller that is as concerned with exploring the poisonously claustrophobic demi-monde of Northern Ireland during the Troubles, and the self-sabotaging contradictions of its place and time, as it is with providing the genre’s conventional thrills and spills. The result is a masterpiece of Troubles crime fiction: had David Peace, Eoin McNamee and Brian Moore sat down to brew up the great Troubles novel, they would have been very pleased indeed to have written The Cold Cold Ground."
---The Irish Times
"McKinty is a big new talent."
---The Daily Telegraph
"McKinty is a gifted man with poetry coursing through his veins and thrilling writing dripping from his fingertips."
---The Sunday Independent
"McKinty is a big new talent."
---The Daily Telegraph
"McKinty is a gifted man with poetry coursing through his veins and thrilling writing dripping from his fingertips."
---The Sunday Independent
"Adrian McKinty is fast gaining a reputation as the finest of the new generation of Irish crime writers, and it's easy to see why on the evidence of The Cold Cold Ground."
---The Glasgow Herald
"McKinty is a storyteller with the kind of style and panache that blur the line between genre and mainstream."
---Kirkus Reviews
"McKinty's literate expertly crafted crime novel confirms his place as one of his generation's leading talents."
---Publishers Weekly
"McKinty crackles with raw talent. His dialogue is superb, his characters rich and his plotting tight and seemless. He writes with a wonderful and wonderfully humorous flair for language raising his work above most crime genre offerings and bumping it right up against literature."
---The San Francisco Chronicle
"McKinty keeps getting better. He melds the snap and crackle of the old Mickey Spillane tales with the literary skills of Raymond Chandler and sets it all down in his own artful way."
---The Rocky Mountain News
"The first of McKinty's Forsythe novels, "Dead I Well May Be," was intense, focused and entirely brilliant. This one is looser-limbed, funnier...so, I imagine, is the middle book, "The Dead Yard," which I haven't read but which Publishers Weekly included on its list of the 12 best novels of 2006, along with works by Peter Abrahams, Richard Ford, Cormac McCarthy and George Pelecanos."
---The Washington Post
"McKinty, who grew up in Northern Ireland, has an ear for language and a taste for violence, and he serves up a terrifically gory, swiftly paced thriller."
---The Miami Herald
"There's nothing like an Irish tough guy. And we're not talking about Gentleman Gerry Cooney here. No, we mean the new breed of bare-knuckle Irish writers like Adrian McKinty, Ken Bruen and John Connolly who are bringing fresh life to the crime fiction genre."
---The Philadelphia Inquirer
"McKinty's writing is dark and witty with gritty realism, spot on dialogue, and fascinating characters."
---The Chicago Sun-Times
"If you like your noir staples such as beautiful women, betrayal, murder, mixed with a heavy dose of blood, crunched bones, body parts flying around served up with some throwaway humour, you need look no further, McKinty delivers all of this with the added bonus that the writing is pitch perfect."
---The Barcelona Review
"I really enjoyed [Dead I Well May Be’s] combination of toughness and a striking literary style. Both those things are evident in Hidden River. McKinty is going places."
---The Observer
"This is a terrific read. McKinty gives us a strong non stop story with attractive characters and fine writing."
---The Morning Star
"[McKinty] draws us close and relates a fantastic tale of murder and revenge in low, wry tones, as if from the next barstool...he drops out of conversational mode to throw in a few breathtaking fever-dream sequences for flavor. And then he springs an ending so right and satisfying it leaves us numb with delight and ready to pop for another round. Start the cliche machine: This is a profoundly satisfying book from a major new talent and one of the best crime fiction debuts of the year."
---Booklist
"The story is soaked in the holy trinity of the noir thriller: betrayal, money and murder, but seen through with a panache and political awareness that give McKinty a keen edge over his rivals."
---The Big Issue
"A darkly humorous cross between a hard-boiled mystery and a Beat novel."
---The St. Louis Post-Dispatch
"A roller coaster of highs and lows, light humour and dark deeds, the powerful undercurrent of McKinty's talent will swiftly drag you away. Let's hope the author does not slow down anytime soon."
---The Irish Examiner
"A virtual carnival of slaughter."
---The Wall Street Journal
"McKinty has once again harnassed the power of poetry, violence, lust and revenge to forge a sequel to his acclaimed Dead I Well May Be."
---The Irish Post
"A pacey, violent caper in which McKinty vividly portrays [Belfast's] sleazy, still-menacing underbelly."
---The Sunday Times
"McKinty writes with the soul of a poet; his prose dances off the pages with Old World grace and haunting intensity. It's crime fiction on the level of Michael Connolly with the conviction of James Hall."
---The Jackson Clarion-Ledger
"The Bloomsday Dead is the explosive final installment in a trilogy of kinetic thrillers."
---The New York Times
"Adrian McKinty has garnered nothing but praise for his first two books. The third in the trilogy The Bloomsday Dead should leave no doubt that he is a true star. Fast moving and highly engaging this is a great book. McKinty just gets better and better."
---CrimeSpree
"Until The Dead Yard's relentless, poignant ending you'll turn these pages as quickly as you can."
---The Cleveland Plain Dealer
"McKinty's Dead Trilogy has been praised by critics, who call it "intense," "masterful" and "loaded with action." If your reading pleasure leans toward thrillers offering suspense, close calls, wry wit, sharp dialogue, local color and sudden mayhem, you wont do better."
---The Sacramento Bee
"Le Fleuve caché d'Adrian McKinty impressionne par la richesse et la diversité de son ton et de son écriture, passant avec aisance du lyrisme ample de la nostalgie de l'amour perdu au rythme saccadé du narrateur sous l'emprise de l'héroïne. Ce livre rare et maîtrisé est une réussite bien digne de la Série noire."
---Le Figaro
Eine eigentlich simple Story, die natürlich bereits als Grundlage für Hunderte Bücher und Filme diente, macht Adrian McKinty zu der mitreißenden Odyssee eines jungen Mannes, der in der Lage ist, sich seiner Umwelt anzupassen wie jene Kakerlaken, die er in seinem Harlemer Appartement jagt, studiert und sowohl angewidert awie anerkennend entkommen lässt. Nicht umsonst 1992 angesiedelt, ist Der sichere Tod der kongeniale Kommentar zum Wesen der Neunziger.
- Jochen König, krimi-couch.de
"McKinty - that guy is a friggin genius."
---Ken Bruen
"McKinty is a cross between Mickey Spillane and Damon Runyan, the toughest, the best."
---Frank McCourt
"McKinty is an exciting new talent."
---Ed McBain
"Daddy's book is really boring."
---Sophie McKinty (aged 2 1/2)
"McKinty is a storyteller with the kind of style and panache that blur the line between genre and mainstream."
---Kirkus Reviews
"McKinty's literate expertly crafted crime novel confirms his place as one of his generation's leading talents."
---Publishers Weekly
"McKinty crackles with raw talent. His dialogue is superb, his characters rich and his plotting tight and seemless. He writes with a wonderful and wonderfully humorous flair for language raising his work above most crime genre offerings and bumping it right up against literature."
---The San Francisco Chronicle
"McKinty keeps getting better. He melds the snap and crackle of the old Mickey Spillane tales with the literary skills of Raymond Chandler and sets it all down in his own artful way."
---The Rocky Mountain News
"The first of McKinty's Forsythe novels, "Dead I Well May Be," was intense, focused and entirely brilliant. This one is looser-limbed, funnier...so, I imagine, is the middle book, "The Dead Yard," which I haven't read but which Publishers Weekly included on its list of the 12 best novels of 2006, along with works by Peter Abrahams, Richard Ford, Cormac McCarthy and George Pelecanos."
---The Washington Post
"McKinty, who grew up in Northern Ireland, has an ear for language and a taste for violence, and he serves up a terrifically gory, swiftly paced thriller."
---The Miami Herald
"There's nothing like an Irish tough guy. And we're not talking about Gentleman Gerry Cooney here. No, we mean the new breed of bare-knuckle Irish writers like Adrian McKinty, Ken Bruen and John Connolly who are bringing fresh life to the crime fiction genre."
---The Philadelphia Inquirer
"McKinty's writing is dark and witty with gritty realism, spot on dialogue, and fascinating characters."
---The Chicago Sun-Times
"If you like your noir staples such as beautiful women, betrayal, murder, mixed with a heavy dose of blood, crunched bones, body parts flying around served up with some throwaway humour, you need look no further, McKinty delivers all of this with the added bonus that the writing is pitch perfect."
---The Barcelona Review
"I really enjoyed [Dead I Well May Be’s] combination of toughness and a striking literary style. Both those things are evident in Hidden River. McKinty is going places."
---The Observer
"This is a terrific read. McKinty gives us a strong non stop story with attractive characters and fine writing."
---The Morning Star
"[McKinty] draws us close and relates a fantastic tale of murder and revenge in low, wry tones, as if from the next barstool...he drops out of conversational mode to throw in a few breathtaking fever-dream sequences for flavor. And then he springs an ending so right and satisfying it leaves us numb with delight and ready to pop for another round. Start the cliche machine: This is a profoundly satisfying book from a major new talent and one of the best crime fiction debuts of the year."
---Booklist
"The story is soaked in the holy trinity of the noir thriller: betrayal, money and murder, but seen through with a panache and political awareness that give McKinty a keen edge over his rivals."
---The Big Issue
"A darkly humorous cross between a hard-boiled mystery and a Beat novel."
---The St. Louis Post-Dispatch
"A roller coaster of highs and lows, light humour and dark deeds, the powerful undercurrent of McKinty's talent will swiftly drag you away. Let's hope the author does not slow down anytime soon."
---The Irish Examiner
"A virtual carnival of slaughter."
---The Wall Street Journal
"McKinty has once again harnassed the power of poetry, violence, lust and revenge to forge a sequel to his acclaimed Dead I Well May Be."
---The Irish Post
"A pacey, violent caper in which McKinty vividly portrays [Belfast's] sleazy, still-menacing underbelly."
---The Sunday Times
"McKinty writes with the soul of a poet; his prose dances off the pages with Old World grace and haunting intensity. It's crime fiction on the level of Michael Connolly with the conviction of James Hall."
---The Jackson Clarion-Ledger
"The Bloomsday Dead is the explosive final installment in a trilogy of kinetic thrillers."
---The New York Times
"Adrian McKinty has garnered nothing but praise for his first two books. The third in the trilogy The Bloomsday Dead should leave no doubt that he is a true star. Fast moving and highly engaging this is a great book. McKinty just gets better and better."
---CrimeSpree
"Until The Dead Yard's relentless, poignant ending you'll turn these pages as quickly as you can."
---The Cleveland Plain Dealer
"McKinty's Dead Trilogy has been praised by critics, who call it "intense," "masterful" and "loaded with action." If your reading pleasure leans toward thrillers offering suspense, close calls, wry wit, sharp dialogue, local color and sudden mayhem, you wont do better."
---The Sacramento Bee
"Le Fleuve caché d'Adrian McKinty impressionne par la richesse et la diversité de son ton et de son écriture, passant avec aisance du lyrisme ample de la nostalgie de l'amour perdu au rythme saccadé du narrateur sous l'emprise de l'héroïne. Ce livre rare et maîtrisé est une réussite bien digne de la Série noire."
---Le Figaro
Eine eigentlich simple Story, die natürlich bereits als Grundlage für Hunderte Bücher und Filme diente, macht Adrian McKinty zu der mitreißenden Odyssee eines jungen Mannes, der in der Lage ist, sich seiner Umwelt anzupassen wie jene Kakerlaken, die er in seinem Harlemer Appartement jagt, studiert und sowohl angewidert awie anerkennend entkommen lässt. Nicht umsonst 1992 angesiedelt, ist Der sichere Tod der kongeniale Kommentar zum Wesen der Neunziger.
- Jochen König, krimi-couch.de
"McKinty - that guy is a friggin genius."
---Ken Bruen
"McKinty is a cross between Mickey Spillane and Damon Runyan, the toughest, the best."
---Frank McCourt
"McKinty is an exciting new talent."
---Ed McBain
"Daddy's book is really boring."
---Sophie McKinty (aged 2 1/2)
Who's been dropping by
What's Next For Me?
A couple more books, a few birthdays, some shuffleboard then a period spent in the digestive tract of earthworms, followed by molecular breakdown, the sun boiling into space, the heat death of the universe, atomic decay, perpetual darkness, a trillion years of nothingness and then, if we're lucky, brane collapse, a new singularity and a new Big Bang.
Me & the Mrs in our survivalist bunker
Adios and thank you for stopping by....
Humiliation, unhappiness, discord are the ancient foods of heroes---Jorge Luis Borges
The measure of a writer isn't success, but how hard he tried to do what he knew he couldn't do---William Faulkner
I believe in the power of the imagination to remake the world, to release the truth within us, to hold back the night, to transcend death, to charm motorways, to ingratiate ourselves with birds, to enlist the confidences of madmen---J G Ballard
I read the dictionary once . . . It turns out that the zebra did it --- Steven Wright
Times are bad. Children disobey their parents and everyone is writing a book---Cicero
Made in Ireland
18 comments:
That was great. I'll try to watch the other segments soon. What struck me was how Herzog was certain in himself, and Morris less sure, so that he was always kind of reading the reaction of the crowd. It doesn't make him less intelligent, but I wished he could have spoken from that same place in himself.
Seana
Its interesting that Herzog says he reads scores of books every year but watches only two or three films, I imagine that for most directors the opposite is true.
Read, read, read, read, read, read. There may have been more, but with my twitter attention span, he lost me there.
Seana
I think he's right too. An Errol Morris film and a Werner Herzog film are worth waiting for whereas the works of less literate directors are not.
This is kind of weird. I was just reading an email from a college friend who I hear from infrequently. Her husband is a producer, and I somehow never knew this before, but two of the documentary films he produced are "Grizzly Man" and "Encounters at the Edge of the World". She says,
Their current film, "Cave of Forgotten Dreams", is a 3-D
documentary on the recently discovered prehistoric Chauvet cave art in
the south of France. If you get a chance to see the movie, you really
should, because it is an amazing experience. Only a handful of
scientists have been allowed into the cave for reasons of
preservation, so the movie is like a privileged journey.
She and her husband both are of at least partially German descent so I think they both were clued in to Herzog a long time ago. In fact, she mentions viewing 'Stroyzek' at the Sashmill Theater in Santa Cruz when we were all freshmen. Well, she was always a lot more sophisticated than I was. I may have even seen it and just don't remember. That would be like me.
Seana
That is interesting. Grizzly Man and Encounters are both wonderful films. I think both should have won the best documentary Oscar.
I'm very anxious to see Cave of Forgotten Dreams. I hope its playing in Melbourne sooon. I am nervous about the 3D though. I'm slightly red/green colour blind and for that reason (or possibly unrelated reasons) 3D has never quite worked for me and has given me headaches. I know that they filmed it with 3D cameras but I wonder if you could ask you friend if there will also be a 2D print for people like me.
I will.
He's right, it's amazing what books you can find in remaindered piles, 99 cent piles at used bookstores, etc.
We have used books, and then we have what we call sidewalk sale, where everything is reduced still further. It's amazing what you can find in there that has been passed over again and again and again.
Matt
And dont forget thrift shops.
Seana
I like it when people sell entire libraries at estate sales.
Wonder how that's going to look in the future.
"And this, ladies and gentlemen, was his first Ipad."
My friend wrote back to say that they are putting together the 2-D print right now and it will be available for sale and to theaters that prefer that version. It should come to Australia as they are working with a lot of foreign distributors.
Her husband knew of the Errol/Herzog discussion and said the two were friends but had a somewhat prickly relationship.
Quel suprise, as those of us who don't really know French are fond of saying.
There is a long interview with the director (?) of "Cave of Forgotton Dreams" in the most recent issue of Archeology. It concentrates more on how the documentary was filmed, the reason for using 3-D, etc. than the contents of the cave. Lots of photos, though probably without the impact that the film will impart.
There is a long interview with the director (?) of "Cave of Forgotton Dreams" in the most recent issue of Archeology. It concentrates more on how the documentary was filmed, the reason for using 3-D, etc. than the contents of the cave. Lots of photos, though probably without the impact that the film will impart.
There is a long interview with the director (?) of "Cave of Forgotton Dreams" in the most recent issue of Archeology. It concentrates more on how the documentary was filmed, the reason for using 3-D, etc. than the contents of the cave. Lots of photos, though probably without the impact that the film will impart.
There is a long interview with the director (?) of "Cave of Forgotton Dreams" in the most recent issue of Archeology. It concentrates more on how the documentary was filmed, the reason for using 3-D, etc. than the contents of the cave. Lots of photos, though probably without the impact that the film will impart.
Thanks Michelle I'll look for that in my next trip to Borders.
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