Friday, November 25, 2011

IQ84 Redux

Haruki Murakami's IQ84 is a lush, sensual novel that uses the canyons of central of Tokyo as its canvass for a dreamy, escapist fairy tale about two childhood friends who shared a brief platonic romantic moment before separating forever. It's a book heavily informed by the films of Hayao Miyazaki and Jung's notion of the collective unconscious and it has a fantasy element straight from the pages of the brothers Grimm. 
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The story of the two central protagonists, a hack writer and a yoga teacher/assassin (!) are told in successive chapters and it takes most of the book for them finally to collide. Fortunately the leads and their voyages of discovery are both equally compelling. However, as in many Murakami novels the characters in IQ84 behave in maddeningly passive, inconsistent and illogical ways and as the fantasy/fairy tale elements get more pronounced I found myself increasingly irritated by their behaviour. Although I enjoyed this book a great deal I think the critics are wrong to say that this is Murakami's masterpiece. He's clearly a very talented writer but I believe he can do better. There is a lack of discipline to Murakami's writing and if he reined in his tics and compulsions he could say something really interesting about modern Japan and the human condition. I blame the translators/editors for the laborious explanations of Western pop culture that should have been cut from the English edition of the book, but I blame Murakami for his creepy obsession with the breasts of young women and young girls; indeed although the sexualisation of prepubescent girls may be a popular trope in Japan (?) you don't have to be a bug eyed Congresswoman running for President to find it icky and unpleasantly disturbing. 
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Don't get me wrong IQ84 is a beautiful, strange, interesting novel that raises a lot of questions but it's not as beautiful or as deep as it thinks it is and if its answers you're after, well, you best read something else. 

30 comments:

speedskater42k said...

I'm about 5 hours into the almost 47-hour audiobook. I'm alway apprehensive to commit to such a long book, but I hope that I'll enjoy it, and so far, I have.

While I'm not looking for answers as much as I'm wanting a really good book, I appreciate your comments. I've read and enjoyed Murakami before and so I was really looking forward to 1Q84. I think that this one will also be a book I'll enjoy.

adrian mckinty said...

Speedskater

Its got very good pacing. You wont find any slack moments. Actually thats something I should have said in the post, IQ84 is a lot of things but it is NEVER boring - the capital crime for an audiobook in my opinion.

adrian mckinty said...

Nice opening paragraph from Peter Bradshaw's review of My Week With Marilyn in today's Guardian:


In 1956, Marilyn Monroe came to Britain to make a movie at Pinewood Studios with Laurence Olivier. This was the tense and ill-fated light comedy The Prince and the Showgirl, scripted by Terence Rattigan, a film that became a legend for the lack of chemistry between its insecure and incompatible stars. One was a sexy, feminine, sensual and mercurial diva. The other would go on to make Some Like It Hot.

Peter Rozovsky said...

That's a terrific opening, not to mention the addition it suggests to your "new boring" list: the "diva" in pop culture.
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Ali said...

Isn't "unpleasantly disturbing" a redundancy?

adrian mckinty said...

Peter

It depends on the diva. For example I know I'd have a high toleration for Christina Hendricks and her antics.

adrian mckinty said...

Ali

Haven't you ever been pleasantly disturbed? I know I have.

Peter Rozovsky said...
This comment has been removed by the author.
Peter Rozovsky said...

No, it's the concept of the diva and the chatter about divas and the casual application of the term to so many that gets to me, rather than any individual diva.

adrian mckinty said...

Peter

Its a fair enough point.

adrian mckinty said...

This has got to be an April Fools joke:

http://www.nytimes.com/2011/11/25/world/europe/ireland-tries-to-reverse-declining-potato-sales.html

Tales from the Birch Wood. said...

The "he can do better" critique is very enjoyable. So can we all... as it took two hours to get four Christmas gifts organised here.

The Collective Unconscious aspect of the book has made me think twice about reading it, but on your recommendation I'll give it a go.

This is good:

http://www.theaustralian.com.au/news/arts/murakami-takes-a-long-journey-into-strangeness/story-fn9n8gph-1226190381423

Peter Rozovsky said...

That lead paragraph hits hard:

"The primacy of the Roman Catholic Church and the centrality of the pub are not the only staples of Irish life under threat."

seana said...

For a second, I thought you were saying that Michele Bachmann had actually read IQ84, which would make her a much more interesting candidate than I had previouly given her credit for.

I'd say that the potato article was less April Fool's Day joke than Thanksgiving Day filler.

Sean Patrick Reardon said...

Might have to pass on this one, but your added comment of "Never Boring" will keep it on my watch list.

Caught a great foreign movie called LEBANON the other night about some soldiers stuck in a tank in 1982. It was awesome and figured I'd pass it on, if you have not seen it already.

adrian mckinty said...

Tales

And theres another great review in the NYRB. I think they're both a bit too complimentary.

adrian mckinty said...

Peter

The first two are true but the potato? I dont buy it.

adrian mckinty said...

Seana

I'd be happy if she had an IQ of at least 84

adrian mckinty said...

Sean

I have not seen Lebanon but I completely rec the great Waltz With Bashir which is a fantastic film.

Peter Rozovsky said...

The writer strained too hard to be clever. I suppose too that if I'd spent time in a Madgdalene laundry or been abused by a priest, I might find it offensive.

I once read a piece of advice to writers that if you come with something you regard as devilishly clever, take it out. It's common advice, but that reporter obviously never read it.

Peter Rozovsky said...

By the way, I bought Blindness for my Portuguese trip. It's opening seemed more down to earth than those of other books by Jose Saramago. Have you read him?

adrian mckinty said...

Peter

I have read Saramago following a gush by Clive James. I got two of his books and hated both of them unfortunately.

Perhaps you should take a Robert Wilson novel or two with you as back up.

Peter Rozovsky said...

Yeah, I was thinking of A Small Death in Lisbon. I'm an impatient reader; the opening must grab me, and Blindness had a much, much better opening than some of the other Saramagos, which seemed bogusly grandiose. So, perhaps Saramago and Wilson both it shall be.

Julie said...

Small Death in Lisbon was good, although for a reason I don't now remember, it didn't totally hold up for me.

seana said...

Oops. I'm on my sister's computer, and I signed on as her. I don't think she has read A Small Death in LIsbon. In fact, I know she hasn't.

Peter Rozovsky said...

Hello, Julie or Seana or whoever you are: I think RObert Wilson's prose may not be as laconic as I prefer, but I shall investigate anyhow,

adrian mckinty said...

Peter

Smart guy though. I did a panel with him in Sydney and he quickly spotted my weary Entzauberung behind the fixed grin. Or to ditch Weber for Wodehouse he noticed that while not exactly disgruntled I was far from gruntled.

adrian mckinty said...

Seana

Julie would like this book.

seana said...

I think she would, except she's pretty obsessed with Japan right now. She's been writing a very enjoyable if occasional blog about learning Japanese lately. Anyone with an interest in Japanese culture should check it out.

And hey, I've inadvertently provided you all with a link!

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