Sunday, October 2, 2011

Tin Tin

smart move that the poster doesn't show
Tin Tin's pale, weird, lifeless face
This is what you get when you put together the man who made Always and the man who made The Lovely Bones. Yeah they made some other stuff, I guess, but I'm not feeling in a generous mood after watching this travesty. Motion capture is a very sinister and creepy process for making films and it just doesn't work at all. I thought everyone in Hollywood understood that after The Polar Express but clearly, like the late Muamar Ghadaffi, out there they only listen to yes men. 22 year old yes men with Siri enabled iPhones and that admittedly cool ap that tells you what stars you're looking at if you point it heavenward (or even downwards to get stars in the other hemisphere)...er, what was I talking about? Oh yes. Tin Tin. The film is lifeless, silly, a waste of an amazing cast and with some shockingly bad writing. When Simon Pegg and Edgar Wright were making Spaced they would have made fun of a movie like this, instead of being in it and that my friends is what the fairy gold from LA does to you. The reviewer for The Financial Times called this the ugliest film ever made, which it isn't, but I know what she means. Take my advice, if you want to see a good Tin Tin movie just read Tin Tin in Tibet instead and avoid this cold, cynical, undead rubbish.  

28 comments:

Peter Rozovsky said...

Wow, that makes me want to see it the way I'd sidle closer to look at a body splattered all over a sidewalk.
======================
Detectives Beyond Borders
"Because Murder Is More Fun Away From Home"
http://www.detectivesbeyondborders.blogspot.com/

adrian mckinty said...

Peter

Definitely more life in the body.

Films generally don't get me worked up, but this one really rubbed me the wrong way.

Peter Rozovsky said...

That's bullshit. Films often get you worked up, to the delight of your readers.

adrian mckinty said...

Peter

At least I didn't see this abomination in 3D. That would have been the final straw. Although I'm sure Jackson and Spielberg's defenders will argue that if ONLY I had seen it in 3D then the scales would have fallen from my eyes.

In fact I would have hated just as much and got a headache into the bargain.

seana said...

I was going to say something flippant, but in fact even having not seen it, I totally agree. I don't know how much fault the actors have when they sign on to these projects, but these days, success seems to be bad for everyone. Writers, actors, everyone. I heard on Lawrence O'Donnell that Hollywood is looking to make Elizabeth Warren a star, wining and dining her in Hollywood style, and now I think, oh no. She was our last, best hope for the Republic.

adrian mckinty said...

Seana

With this one I think its a toss up between the visuals and the writing. How can you screw up one of the most beautifully drawn comic books with a horrible visual palate? But then again how can the writers of Sean of the Dead and Dr Who screw up Tin Tin?

seana said...

I guess I wonder most how Simon Pegg, who didn't miss a beat in the beginning--and I'm thinking even a minor role in Black Books, could be turned into someone who can't smell a bad idea. Of course, there's no way of knowing how much he knew going in. But fame should get you some kind of artistic approval rights.

I on the other hand spent part of the evening watching Martin Clune do a documentary about horses. I loved it. I loved Martin Clune, I was taken back to the girlhood horse love and vindicated in it, and I didn't even have to leave my house.

adrian mckinty said...

Seana

Its gold for Pegg. Gets to meet Spielberg and Jackson. Lots of money. Beginning of a franchise. And oh yeah so not cool. Makes me wonder if he would have turned down George Lucas.

seana said...

I know I wouldn't turn down any of them either. I think Elizabeth Warren might do better, but then, she's not a movie star. Or a rock god.

adrian mckinty said...

Seana

I guess I'm a hypocrite too. If Mr Peter Jackson were to ask me to take my beard to Wellington and appear as an extra in the Hobbit I'd jump at the chance.

Frankie said...

Its always a shame when they butcher well loved classics.I thought they were going to do the same with the Winnie The Pooh film. When Disney bought it they made Pooh bear bright orange, but I saw the film and its done true to the original drawings.

On a side note Ronan Bennett drama series Top Boy has started on C4. Gritty drug dealing gangster stuff. Think some of it was filmed in Hackney. Doesn't float my boat, but I remember you posted about him.

John McFetridge said...

I remember when people started talking about making movies on video and there was such an outcry. Then George Lucas said, look, film is as good as it's every going to be but video is where film was in 1890, it's going to get better.

I have a feeling that's the spirit with which people are going into this motion capture stuff, that it's just the beginning and it will get better.

But why do we want it?

And Seana I wonder, can you have a republic and Hollywood? There are few places as symbolic of the division between the 1% and the 99% as Hollywood.

Michael Stone said...

No intention of seeing Tin Tin. My only exposure to this type of film making is Beowulf. I tried twice to watch that movie but never got past the half an hour mark. Awful stuff.

seana said...

John, I think if anyone can hold true to course while wined and dined by Hollywood, Elizabeth Warren can. She was a 99 percenter before there was a 99 percent movement.

The republic seems to be in a parlous state, however, Hollywood or not.

Adrian, succumbing to being an extra on the Hobbit set is not really selling out. Letting them change the ending of your novel for the sake of a movie would be. Not that I'm advising you against it, should the day come.

adrian mckinty said...

Frankie

I'd like to see that Ronan Bennett. I wonder if it'll be up on youtube anytime soon.

adrian mckinty said...

John

Why DO we want it? What good is it?

Computers can do a lot but its a relief to know that computers will never be able to come up original stories or replicate human emotion.

adrian mckinty said...

Michael

I saw Beowulf when it was on TV. It also did not work at all. With Beowulf however there was one compensation.

adrian mckinty said...

Seana

I would NEVER allow that. If anyone ever made one of my books into a movie I'd insist on script approval. Money can last a few years but mortification would last a lifetime.

Dennis said...

Love that stars app. We were pointing the iPhone at the stars Christmas Eve and Santa and the reindeers went by. How cool is that?!!

adrian mckinty said...

Dennis

It is in fact very cool indeed. I almost would get an iPhone just for that. It would be especially useful down here in the Southern Hemisphere where the stars are completely baffling. Except for Orion of course which is upside down (I still dont really understand how that works).

seana said...

If you fall under the spell of a Svengali-like director, though, it's all over.

Did any of you map fiends come across this piece in the Guardian today? Looks great.

adrian mckinty said...

Seana

Yeah I checked it out. It needs some more crowd sourcing. There's not a single entry for Northern Ireland at the moment.

I like the little series the Strange Maps guy is doing for the New York Times. I just hope the Times doesnt coopt him and stick his blog behind their paywall.

seana said...

You could add some, you know.

Peter Rozovsky said...

Seana, it's a cool map, though I don't have much use for the term "crowd-sourced." But then, you probably could have predicted that.
======================
Detectives Beyond Borders
"Because Murder Is More Fun Away From Home"
http://www.detectivesbeyondborders.blogspot.com/

seana said...

I probably could have and I definitely would have agreed.

Michael Stone said...

Uh oh. Adam Horowitz was on BBC teletxt today saying Tintin 2 is already in the pipeline, although he's not sure which story he's meant to be adapting.

adrian mckinty said...

Mike

What a horror show.

Anonymous said...

I swore off Jackson after seeing The Lovely Bones. Book was readable and rather good; movie was awful-- dull, boring, poorly cast (except for the young girl, who was poorly directed) and a waste of celloid. Spielberg is hit and miss and I never thought Always was a hit.