finally got to see the Ridley Scott series Man in the High Castle so I'm reblogging my article on alternative history novels from the Guardian. I'm not attempting to be comprehensive here, it's more of a trawl through some of my favourites...
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With Ridley Scott’s adaptation of The Man In The High Castle on Amazon and SS GB on the BBC we can safely say that the alternative history genre is hotter than ever. The Man In The High Castle was not the
first alternative history novel, nor even the first Nazis-win-the-war novel but
it is still probably the most influential book in the genre. Anyone who likes
historical fiction should be able to enjoy good counter-factual scenarios. It’s
fun imagining how things could have been otherwise. As Ray Bradbury demonstrated in ‘A Sound of Thunder’, one tiny change in the past could
have momentous consequences in the future. A “Butterfly Moment” (from the so
called butterfly-effect) is the point from which our timeline diverges from the
AH timeline. Structuralist historians tend to discount such moments but clearly
if Franz Ferdinand’s driver had driven straight on instead of turning right the
entire history of the twentieth century would have been different.
Of course the most successful AH novels are good novels per se with interesting well rounded characters and a plot that moves. Some
writers such as Harry Turtledove, SM Sterling, Jasper Fforde and Ken Flint have
spent nearly their entire careers writing alternative histories, others such as
Kingsley Amis, Iain Banks, Stephen Fry, Stephen King, Kim Stanley Robinson and
Philip Roth have merely dabbled in the genre. Wikipedia
has compiled a rather daunting list of alternative history novels, here but
if that’s too much to contemplate you could do worse than try some of the
following:
The first real
AH best seller was L Sprague De Camp’s 1939 novel Lest Darkness Fall in which a modern time traveller attempts to
prevent the collapse of the Western Roman Empire by introducing steam engines,
pencils, double entry book keeping and other exciting innovations.
World War 2 and
its aftermath really got the AH genre going in earnest. Spawning many
copycats/homages such as Fatherland, SS-GB, The Plot Against America, The
Yiddish Policemen’s Union, etc. The
Man In The High Castle by Philip K Dick is still the best
what-if-the-Axis-had-won novel. The butterfly moment was the successful assassination
of Franklin Roosevelt in 1934. Set in the early 1960’s the victorious Germans
and Japanese have divided North America between them. Juliana Frink, a judo
instructor, discovers that there is a resistance movement to the Axis which has
been inspired by a novelist called Hawthorne
Abendsen. Abendsen, with the help of the Chinese book of prophecy, the I Ching, has written an alternative history novel called ‘The Grasshopper Lies Heavy’ set
in a world in which the Nazis lost
the war. Subtle, menacing and utterly brilliant this is Philip K Dick’s
masterpiece. In a nice touch of crazy Dick believed that he had only dictated
the novel which had really been written by the I Ching to prove the existence of other Earths.
Directly
inspired by Dick’s novel, The Alteration
by Kingsley Amis, takes place in a 1970’s England where the Reformation never
happened and where the all powerful Catholic Church is in a cold war with the
Ottoman Empire. A talented boy chorister is forced to become a castrato to
preserve his beautiful voice, but in so doing his gift as a composer is lost.
(Amis following Nietzsche believed that sex lay behind all great art.) The fragmented and weak
resistance to the church militant is motivated by a novel called ‘The Man In
The High Castle’ authored by a certain Philip K Dick who dares to imagine a
world in which the Reformation triumphed. Look out for odd cameos from Harold
Wilson, Michael Foot and Tony Benn in this neglected tour de force.
The Alteration
incorporates some elements of the steam-punk genre, one of the most
entertaining of the AH sub-genres. The who-invented-steam-punk debate is a
surprisingly vitriolic one that I shall neatly sidestep here, instead I’ll
briefly draw your attention to some of the best steam-punk authors. Michael
Moorcock and K W Jeter really got things going in the late 1970’s and by 1990 William
Gibson and Bruce Sterling’s wonderful The
Difference Engine saw steam-punk reach its maturity with a novel about the
brilliant Ada Lovelace (Byron’s daughter), Charles Babbage and a mechanical computer
that achieves sentience Terminator
style. Other great books in this oeuvre are Leviathan
by Scott Westerfield, Boneshaker by
Cherie Priest, Mark Hodder’s The Strange
Affair Of Spring Heeled Jack (which contains a very clever butterfly moment) and Neal
Stephenson’s fabulously detailed Baroque
Cycle.
I’m not sure
that books that contain magic really count as AH novels as the butterfly moment
is somewhat ill-defined, however if you want to stretch a point Susanna
Clarke’s Jonathan Strange & Mr
Norrell and JK Rowling’s Harry Potter series could be seen as alternative
histories of the Napoleonic Wars and Britain in the 1990s/early 2000’s
respectively. The First Fifteen Lives of Harry August the very impressive debut novel by Claire North is an interesting spin on butterfly-wing tinkering over multiple lives within the same time-line.
What about some
big really big canvas AH novels? Kim Stanley Robinson’s The Years of Rice and Salt takes place in a Europe that has been utterly
devastated by the Black Death and is being repopulated by Muslims from the south
and Chinese from the west. The world gets divided up between China and Islam
and a dazzlingly imagined alternative Middle Ages is the result. West of Eden by Harry Harrison takes
alternative history as far back as anyone ever has attempted, imaging what
would have happened if the asteroid that wiped out the dinosaurs at Chicxulub and of course Philip Pullman's universe keeps expanding with his new Book of Dust...
Anyway, I hope that you
have enjoyed this little run through the AH genre and that I’ve given you some
ideas for future reading...