Watching Wallander on PBS is like being transported back to the 1970's. While shows like Mad Men and, especially, Breaking Bad work hard to avoid cliche in every scene and experiment with different camera angles and clever visual storytelling, Wallander gives you the cliched story and the old fashioned shot every time. Maybe this is reassuring for older viewers who - perhaps - make up most of PBS's demographic but anyone who has ever seen a show like Homeland or Breaking Bad will soon weary of the style. What do I mean by this? I'll give you some examples. In one scene Wallander is chasing someone in his Volvo, a train is approaching...in a 1970's show the villain would get his car across the tracks just before the train arrives, leaving the hero biting his hand in frustration and of course this is exactly what happens in Wallander. In another scene at a colleagues funeral, Wallander is watching a mysterious woman in profile staring at the coffin...in a 1970's show the mysterious woman would slowly turn round and stare at us/the hero and despite my silent pleas for this not to happen this is exactly what happens in Wallander. In another scene a drunk is sitting on a ferry while a vulnerable woman is up on the top deck contemplating suicide...please don't make the body fall past the window, with only the drunk as a witness we all beg the director but of course... A final example: Wallander is talking to a yet another vulnerable young woman who has showed up at his house. The normally reticent Wallander is chatting up a storm and the camera follows him into a room as he gabs away and naturally when he comes out she's vanished...just as we knew she would...In Wallander cinematic cliche is embraced like an old friend and contempt for the intelligence of the audience is built into every scene.
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I actually don't mind the fact that Wallander is set in Sweden but everyone speaks English and writes English but the newspapers and street signs are in Swedish. That's just a conceit and I can buy into it. I do, however, object to the stories in Wallander which are also very reminiscent of the 1970's, giving us bathos and a psuedo dramatic end to every act and denouements which are telegraphed well in advance to anyone who has ever seen a mystery before. I also have real problems with the character of Wallander himself. In this series Wallander is such a bumbling and arrogant incompetent that at times these episodes are like really unfunny editions to the Pink Panther series. (If you've seen Steve Martin in the role of Inspector Clouseau you'll know what I'm talking about.) Wallander is unaware that villains might want to hit him or that to chase someone you need to run etc. etc. And God some of these plots are hacky and just plain bad. I haven't read the Wallander books but if they're anything like this, er, no thanks.
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Wallander is the PBS equivalent of Quincy or Diagnosis Murder without the self awareness to realise that this is the year 2012. Unfortunately I think that a lot of PBS viewers will think Wallander is a classy show because its a coproduction of the BBC, Sir Kenneth Branagh is in it and its introduced by fan favourite an unctuous and rather oily Allan Cummings. But it's not classy at all. Its cynical crap for Anglophile older Americans. I believe the makers of Wallander know exactly what they are doing and what they are doing is a kind of crime against television. If there is a saving grace to this cheesy, awful show it has to be Branagh himself who rises above the mediocre material, dreary locations and a B list supporting cast to shine with a kind of dour brilliance.
Tuesday, September 25, 2012
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41 comments:
I've been watching them rather doggedly, and despite being an older American, I have to say that I agree with you almost completely for a change. I keep thinking they are going to be better than they are and I keep being wrong. I haven't even seen Branagh rise above the script that I recall. He seems as depressed as his character. I always think I'm a fan of his, but I think maybe I'm only a fan when he's doing Shakespeare. He needs language.
I've read a couple of the Wallenders and they seem better than these. As I recall, The Dogs of Riga had a whole escape sequence across Latvia that they left out of the show.
Camera angles aside, the cinematography is very beautiful when it contemplates the Swedish landscape. It may be worth watching just for that.
I don't think Breaking Bad has kept its edge the way you do, and I have never thought Mad Men was as good as it thinks it is.
Seana
Yeah I'm an older American too. Right in the demo too, being a Brit and all...
It would take a lot to turn me against Branagh and I still love to watch him even in this...But oh boy these shows are terrible.
Has Breaking Bad fallen off the pace? You might be right and the Emmy voters might be agreeing with you. Homeland seems to be where its at these days...
I haven't even caught on to Homeland yet. I'm kind of afraid of getting invested in another show.
I actually didn't understand why the train going by would be such a defeat that he gets out of the car and stares down the road instead of just trying. It's not like it was a maze.
When I think back to the first episode of Breaking Bad and then think of the last one, I just don't think the stakes are anything like as high for anybody. Now we're all just waiting to see how it all unravels. It might help if I was even remotely still on Walt's side, but I'm not.
Seana
That whole Volvo chase was farcical and embarrassing to watch... And its in the same episode where he tells the SWAT team to stand down and he storms the house a la Inspector Clouseau...
I think we're supposed to hate Walt now and if so mission accomplished. I hope Hank brings him down.
Yes, but in the last episode, there's a point where he looks at Skylar exactly like the old Walt, with some tenativeness and tenderness.
I know that the writer pitched the show as ordinary guy turns into Scarface, but I think if the writers had stuck with the ambiguity of being Walter White, Brian Cranston could have handled it.
And don't say it can't be done, because you did it with Michael Forsythe, whether you believe that or not.
Seana
Why thank you kindly ma'am...
I think we're all still rooting for Jesse to live though, aren't we? I just dont think its going to happen though.
Oh, man. I'm going to have a hard time watching that show. I have to kind of hope that Jesse is the one who kills him, rather than the reverse.
Hey! I like Wallander - played by Krister Henriksson. In the last few years we have had a whole spate of Scandinavian dramas to relish. Good old BBC4!! And don't go for the US version of The Killing (even if it is set in Seattle). The original version (Forbrydelsen - 'The Crime'), set in Copenhagen, and starring Sophie Grabol, is heaps better.
In fact The Killing gained more UK viewers than Mad Men..
Deb
I didnt know there was also a Swedish version. Makes sense of course.
I didnt watch either version of The Killing. Perhaps I will though, the original sounds pretty good.
Oh, I forgot to say another thing I LIKE about the show and thats the theme music. The song Nostalgia is by an Aussie country singer from Western Australia and its all about living in South Melbourne. They changed a couple of the lyrics so it sounds more Swedish but here's the original:
http://www.youtube.com/watch?v=VJIoLA3CjgE&feature=related
I have heard from numerous sources that the Swedish versions of both are better. I watched The Killing here, and I understand why the American version got panned here, the pacing was very slow, but I thought a lot of the actors were very good, so I kept going.
Adrian
That Emily Barker track is lovely, thanks for the link. The music is good on the Krister Henriksson Wallander (there is, confusingly, another Swedish Wallander, who is chunky and blonde, and doesn't fit my inner image of Wallander from the books).
Seana - the original 'The Killing' is 20 one-hour episodes covering one murder... so a very slow pace, but excellent acting and a good script carry it through. I was hooked - but I don't have a brain the size of the planet like Adrian, and watched it fairly uncritically..
Deb, the American version was also twenty episodes, I think. I dont know closely it mirrored the Swedish one. It didn't seem particularly geared toward an American audience. Although they did break it in the middle to provide a 'season finale', which may have been an American innovation. People seemed more annoyed by that than anything else.
It was a very gray palette, too, which I also think isn't an American crowdpleaser. Think Miami Vice and then think its polar opposite and you'll have some idea of the effect.
Don’t be sucked by rampant Larssonism into believing that everything comes from Sweden. The Killing is Danish.
======================
Detectives Beyond Borders
"Because Murder Is More Fun Away From Home"
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I've half-seen Wallander: my wife watches them and I listen to them while I'm noodling around on the internet in the next room. Can't say they've lured me over to the TV. I have been watching a French cop mini-series called Braquo, which is violent, nasty, well made and completely bonkers. Another good European cop series is Detective Montalbano, based on the Camilleri books. I tried a Camilleri book and didn't care for it, but the TV movies are great: fantastic locations, great casting, and the lead actor, Luca Zingaretti, is superb.
Deb
Marvin I am not. Although I do get depressed.
Peter
Yeah I thought that. Isnt the bridge between denmark and Sweden a plot point or am I think of something else?
Cary
Braquo sounds great. I'll look out for that. The only Italian crime series I've seen is one called Inspector Rex where a clever Alsatian seems to solve crimes.
I don't know. Exceot for a session about "The Killing" at Crimefes the year, I haven't seen either the British or the American series.
Danish. I guess the Danes would be offended at the Swedish mislabeling, except that they have now been riding on the coattails of the nondestinction for a few years now, so they shouldn't complain. Much.
There was a bridge in the American version, and now I think about it, I guess it was between sovereign nations.
&*&^ Blogger just ate my comment. I'm going to bed.
Oh, you chaps and chap-esses, you really will have to give up your social lives, get goggle-eyed, and get with these plots.. The Bridge (Bron -Sw or Broen (Danish) is another crime thriller. The body of a Swedish politician is found lying across the international boundary between Denmark and Sweden in the middle of the Oresund Bridge. Her death is then investigated by cops from both countries. Don't read any plotspoilers..
Peter - I am just heading off to work, having showered, put on a load of washing, breakfasted, put out the recycling, and made my packed lunch while looking at this blog...
Try 'Borgen' too (another series) - subject: Danish coalition government!! Not a crime thriller, but excellent none-the-less.
The body of a Swedish politician is found lying across the international boundary between Denmark and Sweden...
Sounds Brian McGilloway-ish to me.
Oh, and it looks to me as if Series 4 of The Thick of It is improving gradually.
Oh, God, except for that awfyl DOSAC minister whose idea of humor is a funny walk.
There is a bridge in the American Killing though, because someone jumps. To say more would be spoilerific.
Body found strewn in pieces all the way across the Golden Gate Bridge, sparking fierce jurisdictional infighting between Marin County and San Francisco?
TTOI is improving slowly, but still lacks some bite - they did get in a reference to JG Ballard...
Deb: Yes, I caught that Ballard reference and thought of our gracious blog host.
One reason the most recent episode was so much better is that the writers let Roger Allam as Peter Mannion do so much more of what he's good at -- the not-so-slow burn, the outburts -- than the awkward Ben Swain-type collapse they had had him do previouslyin Series Four. It's sacrilege to say so, but I did not find myself missing Malcolm all that much in this latest episode.
One hallmark of the series is scenes of erstwhile opponents realizing that they share common enemies even worse: the wonderful scene of Julius Nicholson inviting Malcolm back into government, for example. This episode's closing scene of Mannion and Stewart Pearson was like that. coming on their heels of their hysterical, violent. high-pitched clashes earlier. That was some good acting and good writing.
Cary, I like the Montalbano novels and the TV series, but you're right: Luca Zingaretti is terrific. He inhabits the role so well, despite being younger than the Montalbano of the books and not resembling him physically, the Andrea Camilleri has some reference in one of the later novels to the "real" Salvo Montalbano and "that guy from TV."
Peter
You're a lot more enthusiastic about The Thick of It s4 than I am. Are you watching it on the awful Hulu like me? That site is really unpleasant.
Deb
Yeah I dug the Ballard, although every episode sans Malcolm feels like skirting the event horizon of a black hole.
I was with you on the first two episodes of Series 4. And yes, I am watching it on Hulu, and I agree with you entirely about the unpleasant presentation. I am trying to develop my sense of time so I can turn of the sound and minimize the screen for precisely the length of the idiotic commercials.
And I do think there are signs that Ianucci et al. are letting the Lib-Dems take over the villain role -- if only they stop having Fergus do those embarrassing funny walks, which would be much more at home in a Hulu commercial than on the show.
I'll watch the Thick of It at some point but I have never gotten any joy out of the much vaunted Hulu. Literally never.
Peter, no, San Francisco and Marin do not figure into it. You will have to watch about 10 or 12 hours of The Killing to know what I'm talking about.
Seana, The Thick of It is worth the effort of putting up with Hutu. I don't think the first two series and the specials are available there, though.
Hooray for someone else who thinks Wallander is as slow as a wet week. I can't believe KB bothered to do it myself. He is easily capable of a Homeland part or two, or three. Wasted, just wasted.
I only lasted for 3/4 of an episode, it made me really grumpy.
Thanks Adrian as always for a fun blog. What a conversation you are having here.
Gen
Ken can definitely do better. I thought his five minute turn at the Olympics was a lot livelier than this...
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