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However into this grey universe some light must fall and this week I read 2 crime novels that stirred me from my bitter complacency/self loathing and envy. One was a reread of a book I had only looked at in manuscript and the other was a novel that was self published as an e book on Amazon and has become something of a cult hit. The reread was Absolute Zero Cool by the Edgar Award nominated author Declan Burke. It's a witty, meta, philosophical crime novel in the tradition of Flann O'Brien's The Third Policeman that asks the question: why we should read (and write) fiction in the first place. This question leads to others and down the rabbit hole we go. Of course AZC doesn't always answer these questions but as the Buddhists say the journey is its own reward. Also of note is the fact that Mr Burke's back catalogue is starting to become available on Amazon (including his first, the excellent, The Big O) in e book form, which is definitely worth investigating, here....
The second book I read and liked this week was The Hitman's Guide To Housecleaning by the Icelandic novelist Hallgrimur Helgason. Like I say over the last 30 years I've read every conceivable crime fiction plot with every conceivable protagonist so for a crime novel to get my attention these days either the prose needs to be outstanding or it has to be funny. The Hitman's Guide To Housecleaning is funny. Maybe not sidesplittingly funny but funny enough. The story is very straightforward: a Croatian hitman goes on the run to Iceland posing as an American TV preacher and, er, thats about it. But it doesn't need to be any more. The books is a satire on Iceland, crime fiction, the hitman subgenre, American evangelists, Yugoslavs, Scandinavian food and many other things as well. The bit that had me on the floor was the dissection of Icelandic crime fiction where the narrator wonders how crime fiction is even possible in a country that on average has zero murders a year and bicycle theft is one of the more serious offences. In other words how can you be a crime writer in a land without any crime. I've been wondering this myself for years and Helgason's tongue in cheek answer is that Icelandic crime writers must be blessed with the world's greatest imaginations.
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Anyway 2 authors for you to check out if you're not already on the case: Hallgrimur Helgason and Declan Burke.
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19 comments:
It's great to see The Big O available as an ebook. The way Declan got caught in big business made me wonder abiut the way we study and discuss literature as entirely seperate from business. When I did my BA in English Lit there was never any mention of publishers or distribution or government grants or publishers or marketing any of that. The books just arrived as if by some divine intervention.
If Harcourt hadn't been taken over by Houghton Miflin and Declan's editor not been let go and The Big O had received the push it deserved.... well, things would be very different.
So how often when we look at literature, or any art, do these business issues play such a big part? Probably a lot more often than we want to admit.
Adrian,I have a feeling that many writers feel that if they stray from their comfort zone their work will not sell. How "mass" must their audience be? They may fear that If they inject wit and humor they will be perceived as frivolous. I am reading all of Bruen's Brant series and I find I am laughing out loud.What an iconoclast.I did not realize how truly devoid of wit and humor many crime works are.Thank you for the heads up.Now I am adding to the ever growing reading list .Consolation of Philosophy(de Botton) has both elements. Best Alan
I always tend to think of The Big O as part of my plunge into Irish crime fiction, along with novels by Gene Kerrigan and David Park. Coincidentally, I happened to write a bit about that publishing debacle on a guest post at Untreed Reads which they put up today. You can read it here if you want, but basically I credit wanting to read the sequel to the Big O with my decision to download a Kindle for PC onto my computer.
If you do read ebooks, I'd go for the Big O first if you can and then you may be slightly acclimatized for Absolute Zero Cool, which is terrific, but out there by crime fiction standards. Oh yeah, and maybe read The Third Policeman first too.
I'm not jaded by crime fiction, even though I've been involved with selling it for a long time. But maybe that's because I've done very little reviewing of it, and I think pretty much always books that I wanted to read.
I trust you're probably right about women reading more of this god awful stuff about abductions and rape, etc., though I don't know if it's as pronounced as this sounds. Everyone buys Jonathan Kellerman, for instance, not just women. Women definitely buy more cozies by far, but everyone reads the Scandinavians.
I got in an interesting discussion with a friend last week who is working on a cozy set locally. She did a blog post about an event that has rocked the town a couple of weeks back, when two police detectives here were killed by a guy when they came to his home to interview him. It turned out that my friend had known the woman cop for a long time, back when the policewoman was still an undergrad at UCSC in fact, and my friend was feeling distinctly uncomfortable about writing a 'fun' murder mystery. I have wondered about all that myself over the years, but I take consolation in the fact that mystery readers tend to be some of the nicest, most interested and smartest readers who come through our doors. Much more than the spirituality aisle people, for instance.
I'll definitely check out that Iclandic novel. I used to read a lot of crime fiction, but now I read you (write faster) and not much else. I think that's largely because I feel like I've read every crime plot there is. When I read a crime novel these days it's usually because the setting intrigues me. I just read one, for example, called 7 Ways to Kill a Cat that's set in the barrios of Buenos Aires: not your usual locale for crime fiction. Two of the better crime writers I still read are Mike Carey and Ben Aaronovitch. The difference with them is that they combine urban fantasy with crime fiction. It sounds silly, but Carey's doing some of the best Chandleresque crime writing around, and Aaronovitch's novels are excellent police procedurals. Instead of the normal run of crims their detectives are after ghosts and demons. I have to admit I tried The Big O but I thought it was just too much of a homage to Elmore Leonard. A French crime writer worth checking out is Dominique Manotti. Her novels, especially Dead Horsemeat, are wildly entertaining and also savagely political.
John
But maybe it'll work out in the long run. He's got nominated for an Edgar. He has thousands of twitter followers and a huge influence on line. As his back catalogue becomes available all the e book money will be his, not some awful publishers.
Alan
Well the worst thing of all I suppose is an author trying to be funny when they're not funny in the least. That would be excrutiating...and yup there's plenty of that around too.
Seana
Its a good point. Every time I've met crime and mystery readers (just last week for example at the Adelaide Festival) they turn out to be the nicest people in the world. Actually science fiction fans are the nicest people in the world too.
Literary fiction types however...
Cary
Its impossible to come up with an original plot in crime fiction. Every single one has been done before and if you look at 7 basic plots link you'll see that it covers virtually everything you can imagine too. I tend to avoid criticising a crime novel's plot these days because I always think: as opposed to what, exactly? Every story is derivative.
Yes setting can be a hook but that works less well for me for than humour and prose.
I agree about the sci fi people. That aisle is right next to the mystery aisle, and one thing I notice is that the sci fi people tend to all want to talk about the books a lot, especially if they've strong armed a new potential convert over to the aisle. Whereas the mystery people tend to want to be left alone to quietly peruse. Though if I do happen to be helping someone find a book, I notice that the mystery types are very good at unobtrusively eavesdropping. It's exactly what I would do in their place.
Seana
Maybe I'm just prejudiced but I also think the worst science fiction novels are better than the worst mystery novels because to get through the door a sci-fi novel has to at least have an original idea.
I don't know--I think bad science fiction has a worse ear for really leaden prose than bad mysteries do. At least mysteries tend to move things along instead of spending pages describing their imagined world in excrutiating detail. And mystery writers don't tend to have the same penchant for thinking up fake fantasy names.
Seana
Heh, yeah, but sometimes the REALLY bad prose in science fiction novels can be unintentionally hilarious.
The worst names of all of coruse come in fantasy novels. Although I always know a fantasy novel is going to be particularly awful when I look at the map at the beginning and the kingdoms are called West Land, North Land etc.
I do like fantasy genre's enthusiasm for maps, though.
Crime fiction can be unwittingly hilarious too, though. Bill Pronzini did a couple of collections of the stuff, Gun in Cheek and Son of Gun in Cheek--there may have been more. I'm sure he wasn't at a loss for material.
Seana
And I know its not to everyone's taste but I do like it when sci fi and noir come together such as China Mieville's City and the City...
Sounds like you might want to look at Cary's suggestions then.
There is a LOT of cross genre stuff being done these days in every direction. I like it in theory but it is maddening to figure out where to shelf...
"The bit that had me on the floor was the dissection of Icelandic crime fiction where the narrator wonders how crime fiction is even possible in a country that on average has zero murders a year and bicycle theft is one of the more serious offences... Icelandic crime writers must be blessed with the world's greatest imaginations"
This is pretty much the "Law & Order" effect, isn't it? The vast majority of murder-mystery murders in fiction are pure imagination - whether in Manhattan or Iceland.
And speaking of funny
Everyone needs to check out John McFetridge's hilarious Toronto centric crime novels right now!
John writes with a dead pan ascerbic ironic pen (thats some pen) in the Jim Thompson/Elmore Leonard mould with real affection for his characters faults and foibles and often stupid mistakes.
Get thee to a bookshop...
I listened to Luke Daniels read the audiobook of "Hitman's Guide...." and loved it. I was a preliminary round judge for the annual Audie's awards -- best solo male narration-- and got such a kick out of the book and narration that I rated it tops. Must be an acquired taste as Luke's performance did not make the finals. I had visited Iceland which made me appreciate it even more. Your recommendation makes me think I am not crazy.
Mary
You are not wrong about the narration. I read about half the ebook and and got the audiobook from audible to finish on my commute. I liked the narration so much I started the book from the beginning again. As an audio its even funnier. The line where he talks about his aged mother keeping a Serb skull on her kitchen table almost made me crash my bike.
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