Showing posts with label I hear the sirens in the street. Show all posts
Showing posts with label I hear the sirens in the street. Show all posts

Friday, August 2, 2013

The Ned Kelly Awards

I'm really pleased to tell that you my book I Hear The Sirens In The Street has been shortlisted for Best Crime Novel at the 2013 Ned Kelly Awards. This is the Australian equivalent of the Edgars or the Daggers so it's a really big deal for me and I'm very honoured and excited. I've lived in Australia now for five years and this award nomination has really touched me and made me feel like a proper Aussie. Did I celebrate with a VB tinny in my backyard over a barbie? Well no it's too cold for a barbie here in St Kilda (4 degrees tonight) but I actually was drinking a Victoria Bitter as I got the news via twitter from the great Jon Page. VB is not normally my tipple of choice but I was watching the Ashes last night until 2.a.m. and I guess the subliminal messages finally kicked in and today I brought home an eskie full of tinnies from the aghast and disappointed beer snob bottle shop owner on Acland Street. (Its just occurred that no one in North America will understand most of that last sentence. The Ashes is a cricket match, tinnies are...oh forget it.) 
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In case you don't know I Hear The Sirens In The Street is the second novel in my series of books about Detective Inspector Sean Duffy of the RUC. This book takes place in 1982 in Belfast and involves the DeLorean scandal, the FBI, sex, violence, black Ulster humour and some other stuff. So thank you judges! Add here's to VB, The Ashes and Ned Kelly. Win or lose at the awards I'm really excited to be shortlisted with these great Australian crime writing legends.  

Saturday, July 20, 2013

The Australian Weighs In On Sirens

As you know I can't get a review of my Sean Duffy novels in the US press for love nor money (admittedly I haven't actually tried love or money...yet) but at least all the British, Irish and Australian newspapers are reviewing me. This latest review was from last Sunday's Australian newspaper and was written by the multi-talented Graeme Blundell who you non Aussies might still recognise as Natalie Portman's father in Star Wars...
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I Hear The Sirens In The Street
Adrian McKinty

Reviewed by Graeme Blundell The Australian July 14 2013

The first book in McKinty's Sean Duffy series, The Cold Cold Ground, found Detective Sergeant Sean Duffy newly promoted and posted to Carrickfergus CID in Northern Ireland in 1981 at the height of the Troubles. Now living in Melbourne, Northern Irish born McKinty took us inside the sectarian violence of the period as Duffy, a Catholic cop trusted by no one in a Protestant town, struggled with two different cases: one was Northern Ireland's first possible serial killer who was possibly preying on homosexuals and the second was the mysterious suicide of a young woman that looked a lot murder. Now in the new novel Duffy has got a man's headless body in a suitcase dumped in an abandoned factory. Army helicopters are still flying low over the lough, sirens are wailing in County Down and the distant thump thump in the background is the sound of mortars or explosions. McKinty is seriously brilliant, his flair for language matched by his remarkable feel for place, appetite for redemptive violence and gravely cool appreciation of characters who reject conformity. There are echoes of Dennis Lehane, Joseph Wambaugh, Eoin McNamee and even Raymond Chandler but McKinty is resolutely his own hard man. 

Saturday, June 15, 2013

The First North American Newspaper Review of I Hear The Sirens In The Street

Saturday, June 8, 2013

George McFly Day!

What is George McFly Day? It's the bit in Back To The Future where George McFly's box of books arrives from his publisher and his career as a science fiction writer becomes a reality. If you remember the film, in one version of the present George doesn't follow his dreams to become a writer because he's afraid of failure, but in the altered version of the present a more courageous George McFly does pursue his ambition and when his box of books comes it's a kind of vindication. What makes this George McFly day particularly interesting and exciting for me is that the box of books which arrived today from my publisher (Seventh Street Books) was I Hear The Sirens In The Street which is partly about the DeLorean scandal in Belfast in 1982 and the book actually begins with a quote from Back To The Future (the British version also begins with a Tom Waits song but I couldn't afford to pay the royalties for its use in the US edition). . .Earlier this week I also received the French and Spanish versions of the first book in the Sean Duffy series, The Cold Cold Ground, which both look fantastic. This morning my daughters Arwynn and Sophie gleefully ripped all the boxes of books apart, ably helped by Rocky, our next door neighbour's cat, who sincerely believes that he belongs in our family.


Tuesday, May 28, 2013

Another Sirens Review

Still don't have your copy of I Hear The Sirens In The Street, yet? Well, that's ok, it's certainly not for everyone (one lady recently dissed me on Good Reads complaining that I put too much thought into my prose style) but it is for some people and this is what Winsor Dobbin in last Sunday's Melbourne Age thinks: 

CRIME FICTION
I Hear the Sirens in the Street 
Adrian McKinty 
Serpent's Tail

Winsor Dobbin
The Melbourne Age, 26 May 2013

Northern Ireland. 1982. An uncomfortable place to be a policeman, let alone a Catholic one. Sean Duffy, articulate, urbane and stubborn as they come, is a detective in Protestant Carrickfergus at the height of the decades-long sectarian war that ripped Ulster apart: ''A shooting in Crossmaglen, a suspicious van in Cookstown, an incendiary attack in Lurgan - nothing that serious.''

As for settings, it doesn't get much bleaker: ''Army helicopters flew over the lough, sirens wailed in County Down, a distant thump-thump was the sound of mortars or explosions. The city was under a shroud of chimney smoke and the cinematographer, as always, was shooting in 8mm black and white. This was Belfast in the 14th year of the low-level civil war euphemistically known as The Troubles."

It's hard to be enthusiastic about your job when your first task each morning is to check your car for a mercury tilt bomb. Forget one morning and …

When the torso of American veteran and war hero Bill O'Rourke is found in a suitcase in an abandoned factory, it looks as if the IRA might have been up to its old tricks, but then it turns out the victim has been poisoned by a mixture containing the root of a rare plant.

Duffy's investigation leads him to a desperate aristocrat, a foxy widow and an American billionaire chancer (a real one, in this case) and us on a musical journey from Saint-Saens to Blondie.

You have to drink in descriptions such as: ''Belfast was not beautiful. It had been built on mudflats and without rock foundations nothing soared. Its architecture had been Victorian red brick utilitarian and sixties brutalism before both of those tropes had crashed headlong into the Troubles. A thousand car bombs later and what was left was surrounded by concrete walls, barbed wire and a steel security fence to keep the bombers out. ''

This is probably the best police thriller I've read over the past 12 months - lyrical, poetic and mean. ''I tried to think of a curse but Irish articulacy had clearly diminished since the days of Wilde and Yeats, Synge and Shaw. Three 'shites' and a ciggie, that was the best we could come up with in these diminished times,'' Duffy muses.

This book is atmospheric, beautifully paced and precisely constructed; one that is genuinely hard to put down.

Fans of Billingham, Rankin and Lehane and their ilk will not want to miss out on McKinty, who is now basing himself in Melbourne - where he will doubtless become a valuable addition to the brotherhood of wordsmiths in Australia.

Friday, May 24, 2013

Adrian McKinty, Parker Bilal and Paul French at the Adelaide Writers Festival

I'm blogging this (below) to coincide with the US release this week of I Hear The Sirens In The Street...And since I'm - rather embarrassingly - talking about me, I'd also like to point you in the direction of some reviews: Dana King reviewed Sirens in the New Mystery Reader, here. The lovely Connie Wilson reviewed and profiled me over at Yahoo Voices. Peter Dragovich (the Nerd of Noir) reviewed Sirens in Spinetingler Magazine, here. Finally I'm pretty excited that Steven Dougherty wrote a very sweet profile of me in The Wall Street Journal, here. It's all too easy for reviewers to cover the mainstream releases from the big publishing houses so I really appreciate the fact that Dana, Connie, Peter and Steven looked beyond the big publicity campaigns to seek out a peripheral voice like mine. Slainte.

Friday, February 15, 2013

More Me, Me, Me,

Two more McKinty interviews for your, er, pleasure...? I was supposed to be talking mostly about the Sean Duffy series, particularly the new book I Hear The Sirens In The Street but if you know me at all, you'll appreciate that focus isn't my strong suit...

A transcript of my jetlagged, over caffeinated slightly unhinged interview with Ann Giles the irrepressible "Book Witch", here. Photographs courtesy of Junior Witch in the really rather lovely Wellcome Institute cafe somewhere near Euston Station. 

An interview with the charming Kate Evans of ABC Radio National here. This talk ranges pretty wildly too; interestingly I had a bit of a whinge with Kate off air about the musical cliches they always play when Irish people are being interviewed about any subject so Kate went above and beyond the call of duty and found some fantastic musical cues that are appropriate to the book and the conversation. You can also listen to this interview live on ABC Radio National or on their itunes podcast.  

Thursday, January 10, 2013

I Hear The Sirens In The Street: First Newspaper Review


(be warned this review is spoiler heavy. it's a really nice, well written piece though, so perhaps the best thing to do is to read it fast and then forget everything they said...)
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Adrian McKinty has done it again. In the second episode of a promised trilogy on the exploits of Sean Duffy, a Catholic policeman in the RUC at the height of the Northern Troubles, he maintains the tension, the sense of period and the quirks of character that made The Cold Cold Ground such a compelling read.
Having emerged from that adventure sadder, wiser and more cynical, with wounds to show and a Queen's Police Medal, he has gained promotion from sergeant to detective inspector.
It proves to be a short-lived distinction since his congenital insubordination and a chronic inability to give up the chase even when he has been taken off the case and the file closed leads, in the present instalment, to a reduction in rank and the humiliation of return to uniformed duty.
McKinty catches the atmosphere of the time with great accuracy, especially for a serving policeman living in the community, the sense of being under threat all the time, whether on or off duty, the daily look under the car for a bomb with a mercury tilt-switch, the heavy drinking and drug taking, and the wary relationship even, perhaps particularly, with colleagues.
There are too for the CID man the daily turf-wars with special branch and the mysterious interventions of army intelligence, who spirit suspects out of custody and destroy evidence.
At a time when the report on the murder of Pat Finucane and the release of the papers on DeLorean make the headlines, there is little need to question the verisimilitude of the fictional presentation.
The chase begins, on this occasion, with the discovery of a headless, limbless torso crammed into a battered travelling-trunk on waste ground near the site where an American adventurer John Zachary DeLorean is engaged in developing and building an exotic new car which is to cost the British taxpayer many millions of pounds.
From the unpromising start of a fragment of readable tattoo,Duffy and his team are able to identify the victim as a US army veteran who has been working for the federal drugs agency.
The subsequent investigation leads Duffy into the hostile and suspicious dereliction of Islandmagee, a couple of other apparently unrelated murders, an attractive and lonely widow and an eccentric landowner down on his luck.
It involves conflict with his superiors, with special branch and military intelligence and, more brutally, with the FBI and US treasury agents. He loses his pathologist girlfriend from the earlier episode, but not before she had identified and explained the toxicology of an obscure drug which could be obtained from a hothouse plant with an innocent name.
The story unfolds of drug-smuggling and tax-evasion, vain attempts by the government to provide jobs, and more successful ones by DeLorean to screw as much as possible out of the British Treasury before the inevitable collapse.
Duffy's bohemian lifestyle, his uneasy relationship with his loyalist paramilitary neighbours, his forays among the suspicious poteen-makers of Islandmagee and his preference for gathering information in the beds of the widow and an attractive American PA add spice to the narrative.
There are cameo appearances by Jack Hermon as chief constable and John DeLorean as conman in chief, and a picture of a sadder, wiser Duffy, reduced in rank and humbled in having to man a road-block in the middle of nowhere in the wake of a mass escape from the Maze Prison.
His search carries him to America (at his own expense and in his own time) and fairly rough handling from the authorities there. An odd case of urgently booking a direct flight from London to Boston on one day and then travelling Aer Lingus by Dublin and Shannon the next may be an example of devilish deviousness in covering his tracks. More prosaically it might just be a case of poor proof-reading.
Either way, it does nothing to lessen the tension or the tautness of the narrative, which proceeds at breakneck pace to a final denouement with a twist in the tale – the ultimate whodunit.
Even in the humiliation of road-block duty, there is a signpost for the next Duffy engagement. It should be worth waiting for.

Tuesday, January 8, 2013

Publication Day!

My new novel I Hear The Sirens In The Street is published in the UK and Ireland today. It's the continuation of the story of Detective Inspector Sean Duffy which began last year with the novel The Cold Cold Ground and will conclude next year with In The Morning I'll Be Gone. This time Duffy gets himself mixed up with the DeLorean car plant, the FBI, British Intelligence, lonely widows, Morrissey* and other savory and unsavory types. You can read the first 8 chapters of Sirens if you click on the link to the right of this page. We were lucky enough to get two blurbs for Sirens which appear on the jacket. Ian Rankin said "It blew my doors off" which when you read the book you'll hopefully find as funny as I did. We also got a really nice quote from Daniel Woodrell, who - as regular blog readers will know - is one of my writing role models. This is what Mr Woodrell had to say:

Adrian McKinty has the chops to do all manner of things with words, and in I HEAR THE SIRENS IN THE STREET he unleashes a strain of rough and visual, sly and lyric narrative prose in service of one hell of a story. Sean Duffy is a great creation, a figure of many parts, and the place comes alive---a uniquely beautiful and nasty part of the world I'd be scared to visit if everybody didn't sound like they might be cousins of my dad on my mom's side. 
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You can get Sirens at the usual places: bookshops, dodgy market stalls, ebay, from my next door neighbour who has gone through my bins, maybe the occasional supermarket. If you want to purchase the book online, yes it's available on Amazon.co.uk as a paperback version and when the US version is released in May it will be available on Amazon.com. The audiobook won't be out for a few weeks as my esteemed colleague the great narrator Gerard Doyle is directing a play until the end of March and has more than enough on his plate.
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If you do get the book I'd appreciate a review if you can spare the time (I've been subject to an unfortunate bit of sock puppeting and trolling in the last few months so it would be nice to redress the balance).
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Anyway here's the amazon.co.uk link and if you're really desperate to get the book early in Australia or America of course Amazon.co.uk will ship it to you wherever you are in the world. Ciao and happy reading...
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*Perhaps I should point that I'm only kidding about Morrissey (as he's a pretty litigious fellow) but there is one very oblique Morrissey reference/shout out where one of the characters in Sirens is reading Legion of the Cramps, the Cramps fanzine which, at that stage was edited by his Manky Miserableness himself.

Tuesday, July 10, 2012

I Hear The Sirens In The Street

I've uploaded the first 8 chapters of the second Sean Duffy, novel, I Hear The Sirens In The Street, here. The best way to read this is probably to cut and paste it into word and then print it out, but it works ok on the computer screen too. 
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I'm finishing off editing the book at the moment and when I'm done with that I'm hoping to have a rather special competition/give away later on in the week, so please do stay tuned. 

Sunday, April 29, 2012

I Hear The Sirens In The Street

I finally figured out how the "pages" feature on blogger works (or at least I think I have) so I've uploaded the first four chapters of I Hear The Sirens In The Street, here. This is still a work in progress so the book may change considerably before its appearance in January. (I've already completely cut the chapter which appears as the teaser at the end of The Cold Cold Ground.) But at the very least this will give you a pretty good idea where the novel is headed. You may want to read these chapters on the screen here or you could cut and paste them into a word file and print them out at your convenience, it's totally up to you, but I always prefer to read the paper version. I've included a permanent link to the Sirens "page" on the right hand side of the blog and I may add a few chapters here and there as the book progresses. Anyway, I hope you like it and comments are always appreciated. 

Monday, February 27, 2012

I Hear The Sirens In The Street: Chapter 1 (Work In Progress...)

The abandoned factory was a movie trailer from an entropic future when all the world would look like this. From a time without the means to repair corrugation or combustion engines or vacuum tubes. From a planet of rust and candle power. Guano coated the walls. Mildewed garbage lay in heaps. Strange machinery littered a floor which, with its layer of leaves, oil and broken glass was reminiscent of the dark understory of a rainforest. The melody in my head was a descending ten-on-one ostinato, a pastiche of the second of Chopin's études; I couldn’t place it but I knew that it was famous and that once the shooting stopped it would come to me in an instant.
            The shotgun blast had sent the birds into a frenzy and as we ran for cover behind a half disassembled steam turbine we watched the rock doves careen off the ceiling, sending a fine shower of white asbestos particles down towards us like the snow of a nuclear winter.
            The shotgun reported again and a window smashed twenty feet to our left. The security guard’s aim was no better than his common sense.
            We made it to safety behind the turbine’s thick stainless steel fan and watched the pigeons loop in decreasing circles above our heads. A superstitious man would have divined ill omened auguries in their melancholy flight but fortunately my partner, Detective Constable McCrabban, was made of sterner stuff.
            “Would you stop shooting, you bloody eejit! We are the police!” he yelled before I even had the chance to catch my breath.
            An impressive dissonance as the last of the shotgun’s echo died away, and then an even more impressive silence.
            Asbestos began to coat my leather jacket and I pulled my black polo neck sweater over my mouth.
            The pigeons began to settle.
            Wind made the girders creek.
            A distant bell was ringing.
            It was like being in a symphony by Arvo Pärt. But he wasn’t the composer of the melody still playing between my ears.
            Who was that now? Somebody French.
            Another shotgun blast.
            The security guard had taken the time to reload and now he was going to have more fun.  
            “Stop shooting!” McCrabban demanded again.
            “Get out of here!” a voice replied. “I’ve had enough of you hoodlums!”
            It was a venerable voice, from another Ireland, from the 30's or even earlier, but age gave it no weight or assurance - only a frail, impatient, dangerous doubt.
            This, every copper knew, was how it would end, not fighting the good fight but in a random bombing or a police chase gone wrong or shot by a half senile security guard in a derelict factory in north Belfast. It was April 1. Not a good day to die.
            “We’re the police!” McCrabban insisted.
            “The what?”
            “The police!” 
            “I’ll call the police!”
            “We are the police!”
            “You are?”
            I lit a cigarette, sat down and leaned against the outer shell of the big turbine.
            This room in fact was one enormous turbine hall. An huge space built for the generation of electricity because the engineers who’d constructed the textile factory had decided that autarky was the best policy when dealing with Northern Ireland’s inadequate and dodgy power supplies.
            I would like to have to seen this place in its heyday, when light was pouring in through the clear windows and the cathedral of turbines was humming at maximum rev. This whole factory must have been some scene with its cooling towers and its chemical presses and its white coated alchemist employees who knew the secret of turning petroleum into clothes.
            But not anymore. No textiles, no workers, no product. And it would never come back. Heavy manufacturing in Ireland had always been tentative at best and had fled the island just as rapidly as it had arrived.
            “If you’re the police how come you’re not in uniform?” the security guard demanded.  
            “We’re detectives! Plain clothes detectives. And listen mate, you’re in a lot of trouble. You better put down that bloody gun,” I yelled.
            “Who’s going to make me?” the security guard asked.
            “We are!” McCrabban shouted.
            “Oh, aye?” he yelled back. “You and whose army?”
            “The bloody British Army!” McCrabban and I yelled together.
            Two minutes of parley later and the security guard agreed that perhaps he had been a bit hasty. Crabbie who’d recently become a father of twin boys was seething and I could tell he was for throwing the book at him but the guard was an old geezer with watery eyes in a blue polyester uniform that perhaps presaged our own post peeler careers. “Let’s cut him a break,” I said. “It will only mean paperwork.”
            “If you say so,” Crabbie reluctantly agreed.
            The security guard introduced himself as Martin Barry and we told him that we had come here to investigate a blood trail that had been discovered by the night watchman.
            “Oh, that? I saw that on my walk around. I didn’t think too much about it,” Mr Barry said.  He looked as if he hadn’t thought too much about anything over the last thirty years.
            “Where is it?” McCrabban asked him.
            “It’s out near the bins, I wonder Malcolm didn’t leave a wee note for me that he had already called that in,” Mr Barry said.
            “If it was blood, why didn’t you call it in?” Crabbie asked.
           “One of the wee muckers comes in here and cuts himself and I’m supposed to call the peelers about it? I thought you gentlemen had better things to do with your days.”
            That did not bode well for it being something worth our trouble.
            “Can you show us what you’re talking about,” I asked.
            “Well, it’s outside,” Mr Barry said reluctantly.  
            He was still waving his antique twelve gauge around and Crabbie took the shotgun out of his hands, broke it open, removed the shells and gave it back again.
            “How did you get in here, anyway?” Mr Barry asked. 
            “The door was open,” Crabbie said.
            “Aye the hoodlums broke the lock, they’re always coming in here to nick stuff.”
            “What stuff?” McCrabban asked looking at the mess all around us.
            “They’re going to ship the rest of that turbine to Korea some day. It’s very valuable,” Mr Barry explained.
            I finished my cigarette and threw the stub into a puddle.
            “Shall we go see this alleged blood trail?” I asked.
            “All right then, aye.”
            We went outside.
            It was snowing now.
            Real snow not an asbestos simulacrum.
            There was a quarter of an inch of the stuff on the ground which meant that the trains would grind to a halt, the motorway would be closed and the rush hour commute would become chaotic.
            Crabbie looked at the sky and sniffed. “The old woman is certainly plucking the goose today,” he said stentoriously.
            “You should put those in a book,” I said, grinning at him.
            “There’s only one book I need,” Crabbie replied dourly.
            “Aye, me too,” Mr Barry agreed and the two Presbyterians gave each other a knowing glance. 
            This kind of talk drove me mental. “What about the phone book? What if you need to look up somebody’s phone number. You won’t find that in your King James,” I muttered.
            “You’d be surprised,” Mr Barry said but before he could explain further his method of divining unknown telephone numbers using the kabbala I raised a finger and walked to a dozen large, rusting skips filled with rubbish.
            “Is this where you’re talking about?”
            “Aye, over there’s where the wee bastards climb over,” he said pointing to a spot where the fence had been pulled down so that it was only a few feet high.
            “Not very secure, is it?” McCrabban said, turning up the collar on his sheep skin coat.
            “That’s why I have this!” Mr Barry exclaimed, patting his shotgun like a favourite snake.
            “Just show us the blood, please,” I said.
            “Over here, if it is blood. If it is human blood,” Mr Barry said with such an ominous twinge in his voice that it almost cracked me up. 
            He showed us a dried, thin reddish brown trail that led from the fence to the skips.
            “What do you make of that?” I asked Crabbie.
            “I’ll tell you what I make of it! The weans were rummaging in the skip, one of them wee beggars cuts hisself, heaven be praised, and then they run to the fence, jump over and go home crying to their mamas,” Mr Barry said.
            Crabbie and I shook our heads. Neither of us could agree with that interpretation. 
            “I’ll explain what happened to Mr Barry while you start looking in the skip,” I said.
            “I’ll explain it while you start looking in the skip,” Crabbie countered.
            “Explain what?” Mr Barry asked.
            “The blood trail gets thinner and narrower the further away from the fence you get.”
            “Which means?” Mr Barry asked.
            “Which means that unless we have a Jackson Pollock fan among our local vandal population then something or someone has been dragged to one of those Dumpsters and tossed in.”
            I looked at McCrabban.
            “Go on then, get in there,” I said.
            He shook his head.
            I pointed at the imaginary pips on my shoulder which would have signified the rank of Inspector if I hadn’t been in plain clothes.       
            It cut no ice with him.
            “I’m not going in there. No way. These trousers are nearly new. The missus would skin me alive.”
            “I’ll flip you for it. Heads or tails?”
            “You pick. It’s a little too much like gambling for my taste.”
            “Heads then.”
            I flipped.
            Of course we all knew what the outcome would be.
            I climbed into the skip nearest to where the blood trail appeared to end but naturally that would have been too easy for our criminal masterminds and I found nothing.
            I waded through assorted factory debris: wet cardboard, wet cork, slate, broken glass, lead pipes while Mr Barry and Crabbie waxed philosophic:
            “Jobs for the boys isn’t it? It’s all thieves and coppers these days isn’t it?”
            “Somebody has to give out the unemployment checks too, mate,” Crabbie replied which was very true. Thief, copper, prison officer, dole officer: such were the jobs on offer in Northern Ireland - the worst kakistocracy in Europe.
            I climbed back out of the skip.
            “Well?” Crabbie asked.
            “Nothing organic, save for some new lifeforms unknown to science that will probably mutate into a species annihilating virus,” I said.
            “I think I saw that film,” Crabbie replied.
            I took out the fifty pence piece. “All right, couple more skips to go, do you want to flip again?” I asked.
            “Not necessary, Sean, that first coin toss was the toss for all the skips,” Crabbie replied.
            “You’re telling me that I have to sort through all of them?” I said.
            “That’s why they pay you the big bucks, mate,” he said making his beady expressionless eyes even more beady and expressionless. 
            “I lost fair and square but I’ll remember this when you’re looking for help on your bloody Sergeant’s Exam,” I said.
            This had its desired effect.
            He shook his head and sniffed. “All right. All right. We split them up. I’ll take these two. You the other two. And we should probably get a move on before we all freeze to death,” he muttered.
            McCrabban found the suitcase in the third bin along from the fence.
            Blood was oozing through the red plastic.
            “Over here!” he yelled.
            We put on latex gloves and I helped him carry it out.
            It was heavy. 
            “You best stand back,” I said to Mr Barry.
            It had a simple brass zip. We unzipped it and flipped it open...